
"Ionian Moment"
Monotype/collage, 15 in. h.
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"Microverse"
Monotype with colored pencil 20"h.
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"Project"
Monotype/relief collage 16" h.
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"Twilight of The Goat"
Silkscreen/monotype collage 15" h.
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"Bardo"
Calligraphic relief monoprint with colored pencil 15" h.
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"Room with A View"
Monotype/drawing-collage 13" h.
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"Retreat of The
Animalcules"
Monotype/ spraypaint/roller-stencil print 21"h.
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Me at the litho press, 1968 (Australia) and today at home in Eugene,
Oregon
Digital self-portrait, Ken Paul |
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Artist's statement
I regard making images as very
related to dreaming. Basically,
the ego is not in control of
what emerges—mostly emanations
from the vast realm of the
Unconscious, where we find a
type of wisdom not readily
accessible to the everyday mind.
I was once sharply conflicted
over issues of intent and
control in art, believing (from
being raised and schooled in mid-20thC Western
culture)
that artists need to be in full
charge of a creative situation.
The aim of this seemed to be
about "expressing oneself." But
inwardly I experienced
creativity very differently—as
if some unnamed energy
was speaking through me. This
"other" has had various names,
such as the Muse, the Daimon,
The Spirit Guide, et al. My
creative flow worked best when I
just got out of the way of what
was unfolding on the canvas or
paper in front of me. Of
course I make creative decisions
and use my personal skill-set in
working. It would be a big mess
if I didn't.
I might describe it as more of a
dialogue than a monologue, if
you see my point. Dialoguing
with WHOM, you may ask? Good
question. It feels like just
another facet of the perennial
puzzle of "How I can be the
thinker and the observer of my
thoughts at the same time?" I
admit the results are sometimes
quite dark and unsettling—again,
very similar to dreaming.
Working in this way leads to a
very mixed output, I admit. It
often looks like a "group show,"
but I've had to make my peace
with it: this is just how it IS.
Now, in my 8th decade, I find
myself moving more toward
abstraction, seeking images that
can speak in ways quite
different from other visual
experiences, like photographs or
representational paintings. In
the computer/digital photography
era, we have a vast array of
those kinds of images just a
mouse-click away. I prefer now
to look past the surface
appearance of things.
I heard a great quote today from
a non-artist:
"Don't let what you're looking
for get in the way of what you
find."
Not bad artistic advice,
methinks.
Thanks for looking/reading.
Ken Paul, Eugene, OR
Contact
kpaul38@mac.com for comments or
questions.
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