Ken Paul

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"Ionian Moment"
Monotype/collage, 15 in. h.

 


"Microverse"
Monotype with colored pencil 20"h.
"Project"
     Monotype/relief collage 16" h.
"Twilight of The Goat"
     Silkscreen/monotype collage 15" h.
"Bardo"
Calligraphic relief monoprint with colored pencil 15" h.
 
"Room with A View"
Monotype/drawing-collage 13" h.
 
 "Retreat of The Animalcules"
Monotype/ spraypaint/roller-stencil print 21"h.
 
 
Me at the litho press, 1968 (Australia) and today at home in Eugene, Oregon
Digital self-portrait,  Ken Paul
 
Contact kpaul@darkwing.uoregon.edu for prices


Artist's statement

I regard making images as very related to dreaming.  Basically, the ego is not in control of what emerges—mostly emanations from the vast realm of the Unconscious, where we find a type of wisdom not readily accessible to the everyday mind.  I was once sharply conflicted over issues of intent and control in art, believing (from being raised and schooled in mid-20thC Western culture) that artists need to be in full charge of a creative situation.  The aim of this seemed to be about "expressing oneself."  But inwardly I experienced creativity very differently—as if some unnamed energy was speaking through me. This "other" has had various names, such as the Muse, the Daimon, The Spirit Guide, et al. My creative flow worked best when I just got out of the way of what was unfolding on the canvas or paper  in front of me.  Of course I make creative decisions and use my personal skill-set in working. It would be a big mess if I didn't.

I might describe it as more of a dialogue than a monologue, if you see my point.  Dialoguing with WHOM, you may ask? Good question. It feels like just another facet of the perennial puzzle of "How I can be the thinker and the observer of my thoughts at the same time?"  I admit the results are sometimes quite dark and unsettling—again, very similar to dreaming.  Working in this way leads to a very mixed output, I admit. It often looks like a "group show," but I've had to make my peace with it: this is just how it IS.  Now, in my 8th decade, I find myself moving more toward abstraction, seeking images that  can speak in ways quite different from other visual experiences, like photographs or representational paintings. In the computer/digital photography era, we have a vast array of those kinds of images just a mouse-click away.  I prefer now to look past the surface appearance of things. 
 

I heard a great quote today from a non-artist: "Don't let what you're looking for get in the way of what you find."
Not bad artistic advice, methinks.
 
Thanks for looking/reading.
Ken Paul, Eugene, OR 

Contact kpaul38@mac.com for comments or questions.

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